Madeleine is an artist and curator whose work encompasses curatorial projects, pedagogical interventions and poetic practice. Recent work has included Something Held in the Mouth (2019), Daylighting (2018), The Ash Archive (2018), Folkestone Summer School of Economics, Live Art DIY (2017), States of Wake (2017). She is interested in creating what Isabelle Stengers calls an ‘ecology of practices’ working in a minor key, following the threads of under explored knowledge within archives, ecosystems and instituting practices. Madeleine has curated and presented work in a range of contexts, including Wellcome Collection (UK), Folkestone Triennial (UK), Connexions Improbables (Bilbao, Spain), Melbourne International Festival of Arts. She holds a Masters by Research in Visual Cultures from Goldsmiths College London.
Madeleine worked with Panther for 8 years and produced works in residencies, festivals and venues across Europe, Asia and Australia, including; Center for Contemporary Art Glasgow, Westspace Melbourne, ANTI Festival, Kuopio, PACT Zollverein, Essen, South Projects, Jogjakarta.